PSA: Tom Waits Is In The Coen Brothers’ THE BALLAD OF BUSTER SCRUGGS

Authored by birthmoviesdeath.com and submitted by jamescaleb
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David Bowie was, for many years, the coolest motherfucker on the face of the Earth. When he tragically passed away in 2016, it became necessary for humankind to select a new coolest motherfucker on the face of the Earth. You may not have gotten the memo, but it's been decided that Tom Waits is that motherfucker.

Today, we're excited to learn that said cool motherfucker is a part of the Coen Brothers' The Ballad of Buster Scruggs, the movie that began life as a limited, six-part Netflix series. We've known for some time that the film would be divided into half a dozen chapters, but today - on the eve of the movie's world premiere at the Venice Film Festival - we've also learned who's starring in each of the film's six sections.

Here's the lineup, via The Playlist:

Willie Watson (The Kid) “Near Algodones”

Harry Melling (Artist) “All Gold Canyon”

Tom Waits (Prospector) “The Gal Who Got Rattled”

Grainger Hines (Mr. Arthur) “The Mortal Remains”

We were excited about this one before we knew Tom Waits was involved, but now that we know he's headlining one of the film's six chapters, we're positively frothing at the mouth to see this thing. This (sprawling) plot synopsis, via the BFI London Film Festival website, only exacerbates that:

"If you want to fathom the bottomless well that is the Coens’ imagination, look no further. As storytelling goes, this is wildly idiosyncratic, undeniably hilarious and often touchingly melancholic – a cinema-brio study of the American West. Every delectable chapter presents a different story from the wild frontier, with tone and style perfectly calibrated for each tale. The Ballad of Buster Scruggs finds Tim Blake Nelson playing a sharp-shooting songster. In Near Algodones, James Franco’s wannabe bank robber gets his due and then some. And just a little bit more for good measure. Lugubrious dark humour pervades the Liam Neeson starrer Meal Ticket, a gothic tale about two weary travelling performers. Tom Waits mines a rich seam of humour in All Gold Canyon, while Zoe Kazan finds an unexpected promise of love, along with a dose of life’s cruel irony, on a wagon train across the prairies in The Gal Who Got Rattled. Finally, ghostly laughs haunt The Mortal Remains as Tyne Daly rains judgment upon a motley crew of strangers undertaking a final carriage ride. Exquisitely shot by Bruno Delbonnel and intricately designed by Jess Gonchor (with art department contributing stunning colour plate intertitles that introduce each sequence), this is one for true connoisseurs. Bedtime stories for cinema lovers."

Yes. Absolutely yes, to all of this. When do we get to see it? Well, if you're not attending the London Film Festival or the Venice Film Festival, you'll get to see The Ballad of Buster Scruggs when it hits Netflix on November 16th. Stay tuned for more on this one as it becomes available, and please pass the interim debating which Tom Waits album is best in the comments section below.

Kelkymcdouble on September 1st, 2018 at 05:55 UTC »

I was able to see Tom Waits perform live at Shoreline Ampatheatre in 2013. I dropped every thing I was doing and bought a ticket because I knew he so seldom performs with a band on a large stage.

Edit: for those wondering, it was the best performance I've ever seen. His presence on stage was mesmerizing. Less Claypool, another charismatic front man, was playing bass in his band but you wouldn't have known he was there unless you read the bill because Mr. Waits demanded all of your attention. My only complaint was that it was maybe a 45 minute long set

DesertJane on September 1st, 2018 at 05:41 UTC »

Tom Waits and the Coen Brothers is a match made in heaven. I’m delighted. Now Nick Cave needs a cameo walk on role.

TheMetabaronIV on September 1st, 2018 at 03:11 UTC »

Loved him in Wristcutters, Cigarettes and Coffee, and Mystery Men, so I’m definitely excited.