Bong Joon Ho Duped Harvey Weinstein With a Hilarious Lie to Save ‘Snowpiercer’ Scene

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Bong shares new details of his battle with Weinstein over the final cut of "Snowpiercer" in a new Vulture interview.

As Bong Joon Ho sets out on the U.S. press tour for his Palme d’Or winner “Parasite,” he’s once again being asked to relive the battle with Harvey Weinstein over the final cut of his science-fiction action movie “Snowpiercer.” Bong and Weinstein’s clash is an infamous story for fans of the South Korean master. After The Weinstein Company bought the distribution rights to “Snowpiercer” in 2012, Harvey was adamant about cutting 25 minutes from Bong’s cut. Harvey wanted “more Chris Evans,” as Bong tells Vulture writer E. Alex Jung in a lengthy new profile.

“It was a doomed encounter,” Bong said. “I’m someone who until that point had only ever released the ‘director’s cut’ of my films. I’ve never done an edit I didn’t want to do. Weinstein’s nickname is ‘Harvey Scissorhands,’ and he took such pride in his edit of the film.”

Bong told Vulture he remembered Weinstein telling him, “Wow, you are a genius. Let’s cut out the dialogue.” At least the tense back and forth between the director and the producer resulted in one hilarious moment in which Bong duped Weinstein. The producer was hell bent on cutting a scene in which a train guard guts a fish in order to intimidate a group of rebels. The shot was a particular favorite of Bong’s and cinematographer Hong Kyung-pyo.

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“Harvey hated it. Why fish? We need action!” Bong told Vulture. “I had a headache in that moment: What do I do? So suddenly, I said, ‘Harvey, this shot means something to me.’ ”

When Harvey asked what the shot meant, Bong replied, “It’s something personal. My father was a fisherman. I’m dedicating this shot to my father.”

Weinstein told Bong that family is the most important thing to him, which was the deciding factor in Weinstein letting Bong keep the fish gutting scene. “I said, ‘Thank you,’” Bong remembered. “It was a fucking lie. My father was not a fisherman.”

Bong was finally able to get final cut privileges after Weinstein test screened his edited-down version to an audience in Paramus, New Jersey. The screening scores for Weinstein’s cut were low. “On the inside, I was happy that the scores were bad,” Bong said. “But Weinstein comes out and goes, ‘Bong! Yeah, the score is very bad. Let’s cut out more.’”

Bong’s contract allowed him to screen his longer cut in Los Angeles, which resulted in much higher test scores. Weinstein then made the call to let Bong keep his theatrical cut, only he would bump “Snowpiercer” down from TWC to its specialized division Radius-TWC and not give it a nationwide release. Bong said, “Maybe for [Weinstein], it was some kind of punishment to a filmmaker who doesn’t do what he wants. But for me, we were all very happy. Yeah! Director’s cut!”

“The whole thing was like a black comedy,” Bong said of the entire situation. “If this was someone else’s movie and you were making a documentary of the situation, it would be really funny. Unfortunately, it was my movie.”

Bong is back in U.S. theaters October 5 with “Parasite,” which is already a huge box office hit around the world. Neon is releasing the thriller domestically. Head over to Vulture to read Bong’s profile in its entirety.

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tanksbluud on February 13rd, 2020 at 06:16 UTC »

Recall this trivia.

When Harvey Weinstein obtained the North-American distribution rights to Princess Mononoke, he approached director Hayao Miyazaki and insisted on a shorter version of the film that would be better attuned to American audiences. However, Miyazaki was still so upset by the heavily cut version of his Nausicaä of the Valley of the Wind (1984) (released as 'Warriors of the Wind') that he angrily left the meeting. Several days later, Studio Ghibli producer Toshio Suzuki sent a katana sword to Weinstein's office with 'NO CUTS' embedded into its blade. The film was later released in the USA in its uncut version. When asked about the incident in an interview, Miyazaki simply smiled and stated "I defeated him". _IMDb

(***)

EDIT: The interview that is mentioned above. The Guardian, 2005

[...] There is a rumour that when Harvey Weinstein was charged with handling the US release of Princess Mononoke, Miyazaki sent him a samurai sword in the post. Attached to the blade was a stark message: "No cuts."

The director chortles. "Actually, my producer did that. Although I did go to New York to meet this man, this Harvey Weinstein, and I was bombarded with this aggressive attack, all these demands for cuts." He smiles. "I defeated him." [...]

yosemighty_sam on February 13rd, 2020 at 03:21 UTC »

Are we talking about the axe fight or the aquarium/sushi room?

TheSolarian on February 13rd, 2020 at 02:27 UTC »

That scene, is one of the best in the movie. It's the scene for a very memorable, very well executed, and highly disturbing train fight, and that's the fucking point.

Anyone that couldn't see that, really doesn't understand film.