We can tell where a whale has travelled from the themes in its song

Authored by newscientist.com and submitted by mvea

Whale song reveals where the animal came from Tony Wu/naturepl.com

Sometimes when you travel, you still betray where you came from when you open your mouth. The same thing seems to apply to humpback whales: features of their songs can reveal where they originally came from. What’s more, when whales travel their songs change as they pick up new tunes from whales they meet that have come from different regions.

“Our best analogy is hit human fashion and pop songs,” says Ellen Garland at the University of St Andrews in the UK. The sharing of whale song is a kind of cultural transmission that can give clues about where a whale has travelled on its migration, and where it started out. “We can pinpoint a population a whale has likely come from by what they are singing,” she says.

Garland and her team recorded the songs of humpback whales passing near the Kermadec islands in the South Pacific during September and October of 2015. They also recorded whale songs at spots where whales congregate to feed and breed across the western and central South Pacific, and around eastern and western Australia.

The team broke down each song into units, like notes, that build together to make a phrase, and several phrases that repeat to form a theme. A few themes are sung in a set order to form a song. They found three song types from 52 whales. Song type 1 was dominant in the central Pacific, including the Cook Islands and French Polynesia. Song type 2 was most common in the west, including New Caledonia, Tonga and Niue. And song type 3 was only recorded in the waters near eastern Australia.

Then they compared these songs to those of the whales near the Kermadec islands, a migratory stopover. Here they found two distinct versions of song type 1, which they’ve called 1a and 1b. These songs can morph as whales pass them along, adding a riff or a few notes.

Based on the percentage of similarity between the recordings, the team could pinpoint where the whales at the Kermadec islands originated from. These findings were confirmed with genetic and photographic identification of the singing whales. None of the recordings from the Kermadec islands matched the songs from western Australia, and very few were similar to those from French Polynesia and eastern Australia. Most came from New Caledonia, Niue and the Cook Islands.

Garland says it is likely there are other places, like the Kermadec islands, where whales from different regions can meet and pass on their songs, either on migratory routes or in feeding grounds.

Journal reference: Royal Society Open Science, DOI: 10.1098/rsos.190337

Read more: Whales talk to each other by slapping out messages on water

MysticAnarchy on September 5th, 2019 at 17:17 UTC »

Wow, this reminds me how traditional aboriginal cultures would use songs as a way of mapping terrain and locating significant features in a landscape, known as songlines. I wonder if they’re doing something similar?

robolic9393 on September 5th, 2019 at 16:51 UTC »

But if other whales have also traveled then everyone will be singing songs from different regions. How will we ever know for sure that they’re not just pacific whales singing Atlantic songs they picked up in the southern ocean?

mvea on September 5th, 2019 at 14:06 UTC »

The title of the post is a copy and paste from the title and first paragraph of the linked academic press release here:

We can tell where a whale has travelled from the themes in its song

What’s more, when whales travel their songs change as they pick up new tunes from whales they meet that have come from different regions.

Journal Reference:

Migratory convergence facilitates cultural transmission of humpback whale song

Clare Owen , Luke Rendell , Rochelle Constantine , Michael J. Noad , Jenny Allen , Olive Andrews , Claire Garrigue , M. Michael Poole , David Donnelly , Nan Hauser and Ellen C. Garland

Royal Society Open Science

Published:04 September 2019

Link: https://royalsocietypublishing.org/doi/10.1098/rsos.190337

DOI: https://doi.org/10.1098/rsos.190337

Abstract

Cultural transmission of behaviour is important in a wide variety of vertebrate taxa from birds to humans. Vocal traditions and vocal learning provide a strong foundation for studying culture and its transmission in both humans and cetaceans. Male humpback whales (Megaptera novaeangliae) perform complex, culturally transmitted song displays that can change both evolutionarily (through accumulations of small changes) or revolutionarily (where a population rapidly adopts a novel song). The degree of coordination and conformity underlying song revolutions makes their study of particular interest. Acoustic contact on migratory routes may provide a mechanism for cultural revolutions of song, yet these areas of contact remain uncertain. Here, we compared songs recorded from the Kermadec Islands, a recently discovered migratory stopover, to multiple South Pacific wintering grounds. Similarities in song themes from the Kermadec Islands and multiple wintering locations (from New Caledonia across to the Cook Islands) suggest a location allowing cultural transmission of song eastward across the South Pacific, active song learning (hybrid songs) and the potential for cultural convergence after acoustic isolation at the wintering grounds. As with the correlations in humans between genes, communication and migration, the migration patterns of humpback whales are written into their songs.