The Daily Populous Sunday March 3rd, 2019 morning edition
I extracted the color data from 150k images of the moon so you can see where impacts "paint" the moon with different minerals. Wallpaper version and animation linked in the comments [OC]
The most avante-garde of any of my latest moon shots, this image is the result of a series of adjustments to the supermoon shot I shared last weekend. I downscaled it to 64 megapixels, because some of the clarity was lost through the processing steps. The color was already in that picture, hidden behind the glare of the moon's albedo, and represents the mineral content of our moon. While my previous images showed you the detail you could see if your eyes were sharper, this one shows you what the moon could look like if our eyes and brain were much more sensitive to color. The blues denote high titanium content, and oranges represent low titanium content in the basalt. To read more about the geology of our moon, check out this USGS map.
The original image was created using a combination of shots from 2 different cameras, one to capture color, stars, and atmospheric haze, and one to capture the surface details and textures on the Moon. The shots were then stacked and pieced together for editing. Because I took so many shots to average out the blurring caused by atmospheric turbulence, as well as to eliminate noise captured by the camera sensor, the accuracy of the subtle coloration of the moon was incredibly high, allowing me to apply saturation and contrast adjustments to create this moonstrosity™.
For more of this kind of thing- come find me oninstagram @cosmic_background. I documented the steps I took to acquire the data for this image in my stories pinned to my profile. Feel free to DM me if you ever want to chat about astronomy/astrophotography/equipment or anything else. Most of my shots are taken from my backyard in Sacramento, California.
Acquired 71 tiles with the ZWO camera, and each tile was 2000 images (so around 142,000, give or take a few thousand). I took around 2000 shots with the sony, over around 16 tiles. I also took a few hundred shots with a 300mm lens to capture some stars around the moon. All these images were stacked in autostakkert, then stitched together and adjusted in photoshop until I was happy with the composition. To bring out the color: saturation, contrast, and sharpening tools were used. Much of it was just tinkering until I got the look I wanted.
You have my blessing to use this as a wallpaper if you like it. Because of the high resolution and square image, it can be cropped to fit any device and still look good. It spans my 3 monitors nicely. The links below offer a wider angle, so the top or sides can be trimmed to fit a screen.
ajamesmccarthy on March 3rd, 2019 at 00:13 UTC »
The most avante-garde of any of my latest moon shots, this image is the result of a series of adjustments to the supermoon shot I shared last weekend. I downscaled it to 64 megapixels, because some of the clarity was lost through the processing steps. The color was already in that picture, hidden behind the glare of the moon's albedo, and represents the mineral content of our moon. While my previous images showed you the detail you could see if your eyes were sharper, this one shows you what the moon could look like if our eyes and brain were much more sensitive to color. The blues denote high titanium content, and oranges represent low titanium content in the basalt. To read more about the geology of our moon, check out this USGS map.
The original image was created using a combination of shots from 2 different cameras, one to capture color, stars, and atmospheric haze, and one to capture the surface details and textures on the Moon. The shots were then stacked and pieced together for editing. Because I took so many shots to average out the blurring caused by atmospheric turbulence, as well as to eliminate noise captured by the camera sensor, the accuracy of the subtle coloration of the moon was incredibly high, allowing me to apply saturation and contrast adjustments to create this moonstrosity™.
For more of this kind of thing- come find me oninstagram @cosmic_background. I documented the steps I took to acquire the data for this image in my stories pinned to my profile. Feel free to DM me if you ever want to chat about astronomy/astrophotography/equipment or anything else. Most of my shots are taken from my backyard in Sacramento, California.
Equipment:
Orion XT10
Skywatcher EQ6-R Pro
ZWO ASI224MC
Sony a7ii
Process:
Acquired 71 tiles with the ZWO camera, and each tile was 2000 images (so around 142,000, give or take a few thousand). I took around 2000 shots with the sony, over around 16 tiles. I also took a few hundred shots with a 300mm lens to capture some stars around the moon. All these images were stacked in autostakkert, then stitched together and adjusted in photoshop until I was happy with the composition. To bring out the color: saturation, contrast, and sharpening tools were used. Much of it was just tinkering until I got the look I wanted.
You have my blessing to use this as a wallpaper if you like it. Because of the high resolution and square image, it can be cropped to fit any device and still look good. It spans my 3 monitors nicely. The links below offer a wider angle, so the top or sides can be trimmed to fit a screen.
If you want to view/download the 11MB HQ jpg, here is a link: https://drive.google.com/file/d/18l2op9mCLlmXu32OJFStIN4GmwnLwzL0/view?usp=sharing
If you want to view/download the 23MB PNG file- here you go: https://drive.google.com/file/d/11AunX6e9J8mi4W6qrVAlezzZds1h3WbI/view?usp=sharing
Bonus:
Here is an animation showing the colors coming out of our full moon
(reuploaded due to sharing the wrong image initially)
TheMuslimMGTOW on March 3rd, 2019 at 00:16 UTC »
Thank you OP for all these beautiful images. Been following on Instagram for a while now. This one is just... wow.
Obligatory here before this blows up to the FP.
LaVernWinston on March 3rd, 2019 at 00:58 UTC »
This is really cool to see, especially after that crazy exchange in your last post about why the blue section was there.